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    • GOOD DAY GOD DAMN | Exhibition
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    • Unintended Structures
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    • GOOD DAY GOD DAMN | Performance
    • No One Likes An Ugly Revolutionary | Mette Looulou von Kohl
    • This Bridge Called My Ass | Miguel Gutierrez
    • This Concerns All of Us | Miguel Gutierrez
    • Palm_performance
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    • collagecollide_video
    • BABY! LOVE YOUR BODY! - Ep. 1
  • ARCHIVIST
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Stephanie Acosta

  • Now
  • Select Works
  • Installation
    • GOOD DAY GOD DAMN | Exhibition
    • Palm
    • Aquí y Allá
    • Unintended Structures
  • Performance + Live Art
    • GOOD DAY GOD DAMN | Performance
    • No One Likes An Ugly Revolutionary | Mette Looulou von Kohl
    • This Bridge Called My Ass | Miguel Gutierrez
    • This Concerns All of Us | Miguel Gutierrez
    • Palm_performance
    • collagecollide
    • Process Progress
    • Falling Things
    • Ashleigh
    • A line connecting, a line dividing, a line defining
    • Every Horizon Looks Like Cuba To Me
    • Waterline
  • Moving Image
    • You Need Me
    • GOOD DAY GOD DAMN | Video
    • Ladies Almanack
    • Antonym
    • Deep Descent
    • Aquí y Allá_video
    • Palm_video
    • Fleeting Components
    • collagecollide_video
    • BABY! LOVE YOUR BODY! - Ep. 1
  • ARCHIVIST
    • AUNTS Archive
  • Dramaturgy
  • Apocalypse Talks
  • Sunday Service
  • About + Contact
  • Menu
Impermanent Lines ; Still from Video (2016)

Impermanent Lines ; Still from Video (2016)

Aquí y Allá at Vox Populi (Philadelphia)

November 1, 2016

A new collaboration opens this week FRIDAY NOV 4th at Philadelphia's Vox Populi! 

J. Soto and Stephanie Acosta present Aquí y Allá, the result of a year-long dialogue focused on the overwhelming complexity of identifying as Latinx while representations in popular culture and the art world reify tired visions of otherness rather than expressing our contemporary presence. Both New York based artists working extensively in collaboration, Acosta and Soto chart out territory for a more dynamic dialogue. Aquí y Allá manifests as a collection of new artworks developed into two archives in the forms of video and sculpture; an object theatre.  Acosta resists the finality of anthropology and captures its fleeting nature through discursive translation engaging the photographic imprint and creating present futures. Soto complicates categorization by honoring contradiction and unintelligibility suggesting the mutable and evolving nature of the personal subject in tension with the national subject and sexuality.

Tags opening, Philedelphia, installation, exhibitions, video

Things coming...

Installation, Performance, Moving Image, Programming, Producer, Engager, Maker.